'In the Thin Places'
The ancient Celts believed in the existence of ‘thin places’ – portals or thresholds, representing a permeable barrier that allowed passage from this world to another. In some respects, my work can be said to be situated at the intersection of two worlds, or realities, in an eerie borderland of fragments and ruined structures. All graffiti shown here can be found in the vicinity of my studio, and when thus appropriated, becomes a signifier for this terra nullius, blurring the boundaries between artifice and the real.

Graffiti when encountered in those spaces that lie just beyond the familiar, or behind the built and landscaped facade, is an expression of a phantom culture that communicates only with itself, addressing an unseen and unknown audience. We are here cast unexpectedly as the outsiders, interlopers, trespassing in these edgelands, and excluded from this dialogue. We are confronted by an archaeological palimpsest of ritual marks and a lost semiosis: a visual history of dialectics, polemic and provocation. Paradoxically, graffiti as symbol, language and art, at the moment of its greatest vitality and affirmation, appears curiously moribund, anachronistic, dead. That it should then be the art and lingua franca of these spaces is perhaps no coincidence.